What Is The Cost For An Hit Minature Camera
After WWII the Japanese had a period of depression spending capacity. So they enjoyed using cameras which didn't use much film material, making 14×14mm exposures on narrow newspaper-backed 17.5mm film. This kept moving-picture show costs affordable. The primary pattern used for nearly of these cameras was that of a miniature version of a simple contemporary 35mm viewfinder camera, with leatherette covered trunk, chrome plated parts, a film accelerate command window in the back and a feature pinnacle with a simple viewfinder and film advance knob. Almost of these cameras had a non-focusable lens with stock-still minor aperture, an everset shutter with seedling and instant mode. The original idea to make such 17.5mm viewfinder cameras was introduced in 1937 with the Midget, certainly invented by Nakamura Jirō, followed in 1939 by the Mycro, but the vast majority of the models appeared in the late 1940s and early 1950s.
Ane of the most successful models was the Striking, made by the Tougodo company based in Toyohashi. Its name became the synonym for that camera type, at to the lowest degree in the Western world, where the various other Japanese cameras with a similar blueprint are called "Hit"-type cameras. In Japan, these are called mame kamera (豆カメラ), literally "bean cameras". Only the cheapest of these cameras were similar to Tougodo's Hit, the heavier and more evolved models were actually inspired by the Midget and Mycro.
Many of the Hit-blazon cameras were exported to the United states of america and turned into greenbacks. They were revealed to the US public by the magazine US Photographic camera in September 1946 — this was before the release of the Striking, and the featured photographic camera was certainly the Mycro, the first such photographic camera to reach the market after 1945.[1] It is said that more than publicity was given when 1 of these cameras was offered to Marlene Dietrich past a The states soldier dorsum from Japan.[one] The need from the Usa grew speedily, and a business model emerged in Japan, with no less than 18 manufacturers and about 50 subcontractors involved in Hit-type camera product in 1949.[1] The sales reached a peak that year, with 188,500 units sent for consign, generating nearly 800 meg yen.[one] It is said that many of these cameras, not seriously considered for movie taking, were used every bit toys or Christmas tree ornaments.[2] The sales were very seasonal, with 65,000 cameras, or about one third, bought in June and July 1949 in anticipation for Christmas.[1] By 1950, the trend for such novelty cameras was already declining, with about fifty,000 units exported in the same period of the year.[1] On the Japanese user market, better subminiature cameras using 16mm film began to displace the 17.5mm motion picture cameras.
Product of cheap Hit-blazon cameras nonetheless continued for a long time. Diverse cameras were made with a more modern design, adapting the original Hit concept. Some were made by Tougodo itself, such as the Baby-Max and Toyoca Ace, and others were probably made by different companies, such as the Homer No.one or Bell fourteen.
Notes
- ↑ 1.0 1.1 1.2 one.3 one.4 1.5 "Mame kamera hakusho", column by Haga Hideo in Asahi Photographic camera July 1950 reproduced in Kokusan kamera no rekishi, p.189.
- ↑ Used as Christmas tree ornaments: Sugiyama, p.288.
Bibliography
- Haga Hideo (芳賀日出男). "Mame kamera hakusho" (豆カメラ白書, White newspaper on bean cameras). In Asahi Camera July 1950, reproduced in Kokusan kamera no rekishi, p.189.
- McKeown, James Thou. and Joan C. McKeown's Price Guide to Antiquarian and Classic Cameras, 12th Edition, 2005-2006. U.s., Centennial Photo Service, 2004. ISBN 0-931838-xl-one (hardcover). ISBN 0-931838-41-X (softcover). (Notably features a list of proper noun variants on p.391.)
- Pritchard, Michael and St. Denny, Douglas. Spy Cameras — A century of detective and subminiature cameras. London: Archetype Collection Publications, 1993. ISBN ane-874485-00-3. Pp.74–ix.
- Sugiyama, Kōichi (杉山浩一); Naoi, Hiroaki (直井浩明); Bullock, John R. The Collector's Guide to Japanese Cameras. 国産カメラ図鑑 (Kokusan kamera zukan). Tokyo: Asahi Sonorama, 1985. ISBN 4-257-03187-5. P.288.
Links
In English:
- 17.5mm cameras at Submin.com, listing over 450 variations in Striking type cameras
- Collecting Hit-type cameras, commodity past Tim Goldsmith in ePhotoZine
- Hit at the Subminiature site of Gary Sivertsen, with links to pages of the same site presenting other Striking type cameras
In German:
- Enorme Typenvielfalt: Minis aus Fernost, article by Hubert E. Heckmann in Photodeal.de
In Swedish:
- Hit-type cameras at Fotomuseet i Osby
Source: http://camera-wiki.org/wiki/Hit-type_cameras
Posted by: ravenusio1961.blogspot.com
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